Improve your Copic Marker Coloring Today: Size Matters


there are no magic shortcuts to better coloring...

But there are small and simple things that you can do TODAY to immediately improve the quality of your finished coloring projects.

Is your coloring flat?

I know, I write about flat coloring a lot.

But that's because I hear about it. A lot.

Copic beginners are always pretty worried about getting the blends nice and smooth. But once they've nailed down the blending process, they then start to wonder...


Where is the depth and dimension?

Don't worry, you are not alone. It's a common problem.

There are very few colorers who achieve the kind of depth and realism they want from their projects. Every colorer I know is on constant look-out for the magic bullet that will solve their flat coloring problems once and for all.

There are a lot of tutorials and videos out there which talk about how to add dimension to your Copic projects.

But there's one simple key that I never, ever, no-never hear or see mentioned.

Improve your Copic coloring today with this one tiny tip- the size of your image directly affects your ability to add depth and dimension. |

Image size matters

When you walk into a museum, do they hand you a magnifying glass?

When you visit an art gallery, do they warn you to bring your reading glasses?

Heck, in the Pottery Barn catalog, do they show you big long couches with itty bitty wallet sized art over it?

That's because most artists work large.

Yes, you can purchase a pretty postcard with the Sistine Chapel ceiling on it but Michelangelo didn't paint the real ceiling that small.


Realism requires space

Improve your Copic coloring today with this one tiny tip- the size of your image directly affects your ability to add depth and dimension. |

Let's face it, most stamps are tiny. The average stamp image was designed to fit on an A5 or quarter-fold card front and many stamp sets give you the ability to fit several objects plus a sentiment on that card front.

That leaves colorers struggling to fit several marker colors into itsy-bitsy spaces.

With big giant brush nibs, by the way.

To paint or color with realism, you are essentially creating a trompe l'oeil effect (that's French for "fool the eye"). Depth and dimension are a matter of getting the right shade of the right hue into just the right spot to fool the brain into thinking a two dimensional item is actually three dimensional. It's not only about the colors you use, it's also about placing those colors into just the right spots.

When a face is the size of a postage stamp, it's pretty darned hard to color it accurately. Depth and dimension, getting that shade into just the right areas to feel real... that's next to impossible when the head on the stamped character is pocket-change sized.


Miniature painters have unique skills

Once upon a time, back before the days of photography, you had to hire a painter to make a portrait or to capture a landscape. And if you wanted a portrait to carry around in your pocket or in a locket, you had to find an artist who specialized in miniatures.

Painting in miniature is a very specific skill and frankly, it's a rather rare talent. Working small requires lots of study and practice and a whole slew of specialized tools and supplies. The smaller you get, the more talent required.

And yet you expect to master this kind of thing instantly using big fat juicy markers and a $5.99 tiny stamp?


Be kind to yourself, use large stamps

I shock and startle my newbies all the time. When a new student takes my class for the first time, they're always amazed at the project size. That's because as an artist, I understand that your best chance to color with depth and dimension... all of that good realism stuff is highly unlikely to happen if I don't provide large stamp images.

Improve your Copic coloring today with this one tiny tip- the size of your image directly affects your ability to add depth and dimension. |

Now granted, I draw the class images for 90% of my classes but I do use some commercial stamps. Rubber and silicone stamps are governed by the rules and regulations set by the issuing company. And some manufacturers are sticklers about enlarging their images, even if you're coloring them for personal use.

So the solution is easy. If the stamp image is too small, don't buy it.

Don't waste your money on teeny tiny stamps that are completely inappropriate for coloring with markers.

Companies are gradually learning that serious colorers want larger images. I support only those companies who produce appropriately sized coloring images, not just for legal reasons but because we want the sales statistics to show that there's a healthy market for large coloring images.

Or you can stick with digital stamps. When you purchase a digi stamp, you are not locked into using the stamp at one particular size. Digital stamps are scalable and that means you can squinch them small for a quarter-fold card front but also enlarge them when you want to practice coloring with realism.


The Goldilocks Rule

Bigger is not always better; there is such a thing as too large.

Smooth blending gets harder as the stamp size increases. That's because the smoothest blends happen with fresher, wetter ink. So if the space you're coloring is so large that the ink has fully dried before you even get the whole thing base coated, then that's a blend that will require more nursing to make it happen.

And larger spaces usually require more markers in the blending combination. I save my two-color combo coloring for areas under .75 inch square.

Every colorer has an ideal size to work at. Not so large that the blend is choppy but not so small that you can't add shaded detail.

As you learn and practice your coloring skills, you can work smaller and smaller with more confidence. But just like when you were learning to write out the alphabet on wide lined kindergarten paper, it's definitely easier to learn a skill when you have room to see what you're doing (or doing wrong).


Quarter and Half-size images

When I draw stamps for classes, my beginner images are quarter sheet sized (a sheet being US 8.5x11 inches).

I don't mean that my digis fit comfortably onto a quarter-fold with lost of extra space. I mean that my images ARE the size of a quarter sheet.

So for my classes, a single object in the stamp is usually anywhere from 4 to 5 1/2 inches wide. For intermediate students, I move them up to images that may fill the entire page.

I know, you can not fit large class projects onto a standard card. But you need the extra size to learn how to shade properly. When you get good, you can gradually begin to work smaller until you're back at standard card size.

Or maybe you'll stop producing everything for cards and start making framable art, hint hint.


Like day-old cola...

Improve your Copic coloring today with this one tiny tip- the size of your image directly affects your ability to add depth and dimension. |

If your coloring continues to be flat, no matter how much you practice, no matter how closely you're following the tutorials, stop to consider the size of your stamped images.

Coloring isn't a clown car experience. The goal isn't to impress us with how much you fit in. If you're trying to squeeze shade, highlights, and local color all into a teensy tinsy space, it's no wonder things don't look dimensional.

Real artists rarely work itty-bitty because we understand that realism requires some elbow room. Working in miniature is a specialty skill which requires customized tools to do it right. Artists know better than to force themselves into working abnormally small.

Purchase larger images. Color larger images. Learn and practice on larger images.

It's one tiny thing you can do today to begin improving your coloring.

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Spring Cleaning: Simple care extends the life of your Copic Markers

Spring Cleaning: Basic care extends the life of your Copic Markers |

It's that time of year again

Forget about the crocus buds or the robins singing! The surest sign of spring is when all the house cleaning tips start blooming on the internet.

Yep. Everybody loves a good spring cleaning.

This year, don't forget about your Copics!


Spring cleaning for Copics?

I know what you're thinking...

I've seen lots of tutorials about how to clean Copic Markers, but that's for people who color all the time, right? A lot of tutorials talk about cleaning your marker after you refill it and I've NEVER had to refill!

I guess when I finally refill my markers, I'll worry about cleaning then.

You're absolutely right. People like me, who use Copics on a daily basis— instructors, bloggers, and super serious colorers- we do refill markers more frequently than average colorers.

But cleaning? That’s a different matter entirely.

Everyone, from high volume colorers to the once-in-a-whilers:

We ALL need to clean our markers on a regular basis.


Do you make Copic Jelly?

Spring Cleaning: Basic care extends the life of your Copic Markers |


Copic jelly? Really?

Yep. I have jelly problems. You have jelly problems too.

Every time you uncap and recap a Copic, your marker nib rubs along the inside of the cap. It leaves a streak of marker ink.

That streak of ink quietly lurks inside your cap, slowly evaporating. After the solvent is gone, the streak becomes a smear of Copic Jelly- a super sticky residue.

I know, it’s a bit of a weird concept. When most of us think of "evaporation", we think of water, right? Water just disappears into the air and leaves no trace behind.

But Copic ink is not water; Copic ink is dye mixed with an alcohol solvent. Sure, the alcohol part evaporates cleanly without a trace, but the dye sticks around as residue.

Old dye residue lingers inside your marker caps, waiting to make trouble.


What kind of trouble?

Spring Cleaning: Basic care extends the life of your Copic Markers |

Once you get an ooey gooey build-up of dye residue inside the cap, that jelly makes it hard for Copic caps to seal properly.

The cap clicks as normal, so you assume they're sealed... but no, the jelly breaks the seal.

Yep. Jelly is nasty stuff.

Without a tight seal, your marker nib will slowly dry out as the solvent in the nib begins to evaporate.

Basically jelly in the cap encourages the growth of more jelly on the nib. 

Eventually, jelly can works its way into the spongy core inside your marker!

Once the jelly makes it to the core, your marker is shot. Jelly doesn't just kill marker nibs, it kills whole markers!

It's like The Blob in that 1950's horror movie, jelly keeps creeping along, destroying everything in its wake.

It's not just unsightly, jelly costs you money!


Every once in a while...

I'll pull out a marker that hasn't been used in some time. When I begin to color with it, the nib leaves a weird dark streak. Not all the time and not everywhere, just little smudges of darkened ink that don’t want to smooth out.

Spring Cleaning: Basic care extends the life of your Copic Markers |

Have you had that happen too? Its a bit of jelly that has transferred from the nib to your project.

Dark streaks are not pretty.

Let’s look on the bright side though, that streak is a warning call.

Your marker is crying for help.

When you see dark streaks, you can clean the marker and the nib before the jelly spreads further.

So yes, because I use my markers every day; all that uncapping and recapping means I create jelly quicker than you do.

But I'm also more likely to spot the jelly problem early. I can quickly resolve the problem before it ruins the whole nib.

If some of your markers sit for months without use...  then you're completely missing the early warning system!

Keeping caps clean is MORE important for the weekend hobbyist than for everyday colorers!

Dirty caps + long periods sitting unused gives your jelly lots of time to kill the nib!


Cleaning is easy!

Spring Cleaning: Basic care extends the life of your Copic Markers |

And it's easier to do them all at once (in spring cleaning style) than cleaning them one at a time.

Pop in a good movie and sit down with your markers and a few basic supplies.

I have a small 4 ounce jelly jar (warning: Amazon affiliate link there) that I fill with 90% rubbing alcohol from the pharmacy aisle of my grocery store. The 70% alcohol works too but the 90% works faster.

Into that jar, I cut small 1 inch squares of clean paper towel.

This jar of teeny tiny wipes and a pair of tweezers are all you need to clean your entire marker collection!

Now keep in mind, rubbing alcohol is a different kind of alcohol than the alcohol in your Copics. These alcohols are not interchangeable or compatible! 

Rubbing alcohol also has some water in the mix. That’s what the % on the label indicates. 90% Rubbing Alcohol is also 10% water. 70% Rubbing Alcohol is 30% water.

Because of that water content, I'm super careful when wiping off the plastic right below the marker nib.

Rubbing alcohol is not good for your nibs!

But aside from that one caveat, rubbing alcohol makes an excellent cleaner. It dissolves Copic jelly on contact, and it's soooo much cheaper than cleaning with Copic Colorless Blender!

First, wipe the marker off with a little tiny square of alcohol-soaked paper towel.

Then plunge the same square into the marker cap and ream it around with the tweezers to clean the inner cap area.

Tap the excess alcohol out of the cap, recap the marker, and move on to cleaning the next marker with a clean square.

It's an easy-peasy process and you can clean even the biggest marker collection before the movie is over!


spring clean your Copics!

Clean caps aren't just for neat freaks or heavy duty marker users.

Clean caps extend the life of your marker nibs and prevent accidental ink evaporation.

Try a little spring cleaning today and give your Copic babies a bath. Your markers will thank you!

Spring Cleaning: Basic care extends the life of your Copic Markers |

Improve your Copic coloring: use fresh eyes


Wouldn't it be cool to trade bodies with someone?

One Tiny Thing can improve your Copic coloring TODAY! Fresh eyes. |

Like in the movie Freaky Friday. The Jodi Foster version, not the Lindsay Lohan version.

Oh Lord no, not the Lindsay Lohan anything...

If you could switch bodies with a really good artist, maybe you could pick up a few secrets about how to draw or color better.

Sadly, no. There are no easy fixes. Ask Lindsay Lohan.

Learning takes time and practice; and even if we wish really hard for a freaky exchange, there are no shortcuts to better coloring.

But there are a few tiny things that you can do today which will instantly improve the quality of your Copic Marker projects.



Before you call a project finished, look at it with fresh eyes.

Nobody knows your project as well as you do. After all, you were there when you made it, right?

And you know exactly where all the oopsies are.

You know where you went outside the lines; you know where the blend is a little choppy. You were there when you accidentally dripped a little blue ink in the bottom right hand corner. 

Yep. Been there, done that. More than once.

You've also spent a lot of time obsessing over the details. Getting everything just right.

But here's the thing- all that attention to detail? It has left you in a state of hyper-awareness.


most people won't notice the mistakes


It's not that we're stupid, it's just that we haven't spent the last two hours hovering six inches above the project. We simply don't see the flaws the way you do.

Meanwhile, you're sitting there wondering how in the heck no one has noticed the little blue drip in the bottom right hand corner.

On long coloring projects, I encourage my students to take a break every twenty minutes.

In my live classes, I secretly plot to distract people every ten to fifteen minutes by telling a story or asking a student how her weekend went. They don't realize what I'm doing, but it serves a purpose.

Taking short breaks from coloring isn't for the benefit of your rear end, although it is nice to get up and stretch. Short breaks are actually far more beneficial to your brain than to your buns.


after a break, you look at your project in a new way

We call this "using fresh eyes".

Taking a walk, doing a load of laundry, chatting with a friend about the new restaurant in town... all of these things pull you out of the self-critical zone. That's the state we get worked-up into, where every other thought that runs through your head begins with the words "well, I totally screwed that up..."

We're our own worst critics and that only gets worse the longer we sit chained to our desk, staring at all the mistakes.

Taking a break divorces you from the project. The longer the break, the more remote those mistakes seem. When you come back to it, you no longer look at your coloring with a super-duper hyper-critical eye; you are kinder to yourself.

Plus, with fresh eyes, you realize that the little blue drip in the bottom right hand corner isn't as big as you thought it was.

Fresh eyes are a volume control button for your inner voice. The flaws may still scream out at you but you'll be better able to tune them out. And the good stuff will start talking to you too.


Things don't look as bad as you thought when you use fresh eyes

By getting away from the project, you begin to see your work the same way we do.

It's a less emotional experience.

That little blue drip won't feel like a dagger in your left ventricle anymore.

And here's the really cool thing- you can increase the efficacy of the fresh-eye effect by increasing the length of your break!

10 minutes = good

10 hours = absofreekinwonderful

One Tiny Thing can improve your Copic coloring TODAY! Fresh eyes. |

Setting your project aside for a few days is an essential part of the process for most professional artists. We build that resting period into our delivery time frame because we know the power of fresh-eyed observations.

With portraits, I set them aside for a full week, completely out of sight and out of mind. When I pull it out again, I pay attention to my thoughts:

  • What's the first thing that drew my eye- chances are it's either something really good or it's a flaw I need to fix immediately.

  • Where does my eye linger- that's almost always something good

  • What are the first three flaws I notice- those instantly jump to the top of my "fix it" list

  • After my eye roves around the project, does my gaze settle back upon the eyes? If not, then the the eyes need more attention

Taking an extended break from your work is like a mini vacation. When you come back rested and relaxed, you will notice things you didn't see before- things your inner critique wouldn't let you see before.

You can't always run your projects by a trusted friend who will give you an honest critique. It's hard to trust family to tell you the truth because they love you, and frankly, they also want you to make dinner tonight and that might not happen if they mention the little blue drip in the bottom right hand corner...

Sometimes, your fresh eyes are the only tool available to you to evaluate the success of your projects.

And fresh eyes are free. You don't have to go anywhere or do anything. All it takes is a little will power to go a few days without peeking.


take advantage of fresh eyes on your next project

If you're coloring a card on a deadline, leave yourself enough time to set it aside, at least overnight. Because when it's sitting on Aunt Minnie's mantle? That's not the time to discover that you forgot to glitter the unicorn's horn.

For larger projects, like coloring a class assignment or making a gift for someone, use fresh eyes several times during the process. Catching mistakes before the teacher does or before the recipient notices is embarrassment avoided.

Time spent in time-out is worth the wait. Fresh eyes will catch more than you think but fresh eyes will also pleasantly surprise you.

Because that little blue drip in the bottom right hand corner might look totally artistic and planned, once you see it with fresh eyes.

Improve your Copic coloring today: replace worn nibs


A doctor’s prescription for coloring?

Think about it, what could be easier than popping a pill to instantly improve your coloring? I’d consider it!

Maybe there are no pharmacological remedies for bad Copic blending, but there are some little things you can do today which can immediately improve the look of your Copic projects.


I’ll try to discuss this in a PG rated way…

Some marker Super Brush nibs get, well… they kind'a loose the spring in their step.

Age is a factor.

Use is a factor.


I tend to color with the side of my brush nibs more than I color with the tip o’ the tip, so pressure is definitely a factor too.

Brush nibs do not last forever.

At a certain point, you are going to notice less bounce-back on your brush nibs.

In fact, when you color they may flop right over.

Every brush nib has a hardened felt core. And that core is pretty springy when the nib is fresh and new and virgin.


But over time...

with use and age… how do I say this nicely… well, things no longer point northward as strongly as they used to.

They might leak a little more frequently too.

And it’s okay.


It happens when things get old

The circle of life and all that jazz.

The plumbing ain’t what it used to be.

But don't worry. There is a very easy solution.

Dump your old and worn out brush nib for a brand new, younger nib!

Yep. If there’s no life left in the old geezer, then do not hesitate! Kick him to the curb, pronto!

One Tiny Thing to improve your Copic coloring immediately! Nibs wear out. |

Stuff doesn’t last forever

And really, isn't the whole point of a Copic marker, the reason you shelled out the big bucks, is that it's totally refillable and has lots of replaceable parts?

Well, that means you might actually have to do some refilling and maybe some replacing every once in a while.

Maintenance, darling. Maintenance.

There’s no shame in retiring a nib that no longer gets the job done. Pasture that sucker for a newer model.

New nibs are relatively inexpensive and they come in packs of three, so you can have lots of fun replacing your old nibs with younger studs.

Yep. Trust me. It’s an easy task to do. It takes about 30 seconds to pop out an old nib out install a new one.

In fact, you could change out your nibs while sitting in a bath tub on the beach.

After all, you’ll know when the moment is right.